Mes indésirables (2023)
Documentary . 00 h 18 m
Overview
Documentary . 00 h 18 m
3/5(1)
Overview
'Before I left today, I almost forgot to answer a lot of e-mails.'
Release Date
18 September 2023
Languages
French,
Produced By
Limagorium,
Directed by : Félix Fattal
Available on:
Release Date
18 September 2023
Languages
French,
Produced By
Limagorium,
Directed by : Félix Fattal
Available on:
Choose Region:
Available on: Not Streaming yet!
Summary
"Mes indésirables - " is french Language Movie.
"Mes indésirables" was released on 18 September 2023 .
The movie was directed by Félix Fattal
It has cast of: in lead roles.
Series Cast
It Crew included: Félix Fattal as Director(Directing), in lead roles.
Series Crew
Snap Shot
Status:
ReleasedReleased on:
18 September 2023
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![The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.](https://searchott.com/images/w300/oVSefCooftItIFLgVT9AqpvJUmF.jpg "The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.")
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